{"id":616,"date":"2023-10-02T22:51:35","date_gmt":"2023-10-02T14:51:35","guid":{"rendered":"https:\/\/jiaguoping.com\/?p=616"},"modified":"2023-10-02T22:51:35","modified_gmt":"2023-10-02T14:51:35","slug":"%e3%80%8a%e7%a2%8e%e5%bd%b1%e3%80%8b%ef%bc%882003%ef%bc%89-%e4%b8%ba%e7%90%b5%e7%90%b6%e4%b8%8e4%e4%bd%8d%e6%89%93%e5%87%bb%e4%b9%90%e8%80%8c%e4%bd%9c","status":"publish","type":"post","link":"https:\/\/jiaguoping.com\/index.php\/2023\/10\/02\/%e3%80%8a%e7%a2%8e%e5%bd%b1%e3%80%8b%ef%bc%882003%ef%bc%89-%e4%b8%ba%e7%90%b5%e7%90%b6%e4%b8%8e4%e4%bd%8d%e6%89%93%e5%87%bb%e4%b9%90%e8%80%8c%e4%bd%9c\/","title":{"rendered":"\u300a\u788e\u5f71\u300b\uff082003\uff09\u2014\u2014\u4e3a\u7435\u7436\u4e0e4\u4f4d\u6253\u51fb\u4e50\u800c\u4f5c"},"content":{"rendered":"\n

“The Simulacrum of Broken Timbre” (2003)<\/em><\/strong> – for Pipa and four percussion<\/p>\n\n\n\n

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\u9996\u6f14\u4e8e 2003 \u5e74 12 \u6708 12 \u65e5\u5fb7\u56fd\u5f17\u83b1\u5821 \u201c\u9a6c\u53ef\u6ce2\u7f57-\u4e1d\u7ef8\u4e4b\u8def\u97f3\u4e50\u8282\u201d\u3002<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u7435\u7436:\u5170\u7ef4\u8587
\u6253\u51fb\u4e50:\u52a0\u62ff\u5927\u591a\u4f26\u591a\u65b0\u97f3\u4e50\u56e2<\/p>\n\n\n\n

<\/p>\n\n\n\n

“When a composer try to write for traditional instruments like pipa, he has to consider its wealthy historical documents that have already existed\uff0cas well as the traditional concept of music and sound, which has become the convention. Those two things formed the foundation platform of creative and develop for today\u2019s composers, each new work should be the newborns and new combination of this platform. How to innovate is what every composer must consider and seek. Therefore, a new work is not only new on era, but also a substantial innovation of musical language and practice”. Talking about this work , Jia Guoping said : “In this piece, I tried to pick several clips from those classical piece for Pipa as the material to be worked with. Each clip is a typical of acoustics, and closely related to the playing skills and Articulation. The musical clips arouse the momentary psychological fragmented memories of the original works, but they are re-definition and reassembled, presenting with strengthen and development. Therefore, it avoids the original meaning and the auditory association, and gives a new content and performance, which demonstrates a fire-new acoustic features. “<\/p>\n\n\n\n

Composer Jia excavated the solo expression of each instrument, weakening the intended design, and control everything without a trace\uff0cput his passion into the connotation and beauty of traditional music. In his mind, it turns into an impression of subjective emotion mixed with aesthetic experience. The title ‘Broken<\/em>\u2019 means rich but not complete, while ‘Simulacrum<\/em>‘ means actual and virtual combination. Each \u2019broken simulacrum\u2018 <\/em>expresses the composer\u2018s own feeling , but also the music itself telling. It reveals the grand and magnificent atmosphere beyond the casual surface, and shows the insight and delight of composer\u2019s by the reconstruction of the sentences and the operation of spatial location. ‘Broken<\/em>‘ is the whole, and ‘Simulacrum<\/em>‘ is the truth, indicating a paradoxical situation, shows a scene of uncertainty, mixed with human emotion, mood, sentiment, expression, and definitely reflects the spiritual and aesthetic pursuit of the Chinese literati art .<\/p>\n\n\n\n

The main structure of this piece is start with a scattered part(A), later the fragmented melody section(B), repeating paragraph(C), presto movement(D)<\/p>\n\n\n\n

and the final recapitulation(E), among them, there are four connection constituted by four sentences with the same character(F). Such a musical form (A F1 B F2 C F3 D F4 E) broken the common layout that with several large movements, therefore, it obtain a more flexible structure with a new listening experience.<\/p>\n\n\n\n

Premiered on December 12th, 2003, in Freiburg, Germany, in “Marco Polo – Silk Road Music Festival”.<\/p>\n\n\n\n

Pipa: Lan Weiwei
Percussion: Toronto New Music Ensemble<\/p>\n","protected":false},"excerpt":{"rendered":"

“The Simulacrum of Broken Timbre” (2003) &# … <\/p>\n

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