Qin Kuang, two movements for orchestra
- 《太和》（2021） Taihe (2021)
- 《清调》（1998/2021） Qingdiao (1998/2021)
明末琴人徐上瀛所著《琴况》，以凝炼而富于想象空间的汉字，精准地表达了传统古琴演奏追求的二十四种美学境况，体现出人于自然之中层次丰富、细腻微妙的生命感知。《琴况二则》选取“和”与“清”二况，通过管弦乐音响造型的声音塑形方式，来表达《琴况》所蕴含的审美体验与超然意境。
“Qin Kuang” by Xu Shangying, a guqin master at the end of Ming Dynasty, expresses the 24 aesthetic “qualities (which is corresponding to “Kuang”况)” pursued by traditional qin performance with condensed and imaginative Chinese characters, reflecting the rich , delicate and subtle life perception of human beings in the midst of nature. “Qin Kuang“, two moments for orchestra, the two criteria of “Harmoniousness（He 和）”and“Clarity（Qing 清）” are chosen to expresses the aesthetic experience and transcendent artistic conception contained in “Qin Kuang” through the sound shaping method of the orchestral music.